Catalin Pusay

“Meet

Our

Model”

What inspired you to become a model?

My journey as a (latex) model began on the stage. I started at 18 training at the Barron Playhouse in New York as well as some intern work at Studio Strauss in San Francisco. While I loved acting, I found myself drawn to the singular, intense focus of the camera. I eventually transitioned into the world of latex where I could combine high-fashion aesthetics with the raw eroticism of fetish photography.

Can you tell us a little about yourself and how you started your modeling career?

I’ve always been driven to be center stage. For me, modeling wasn’t just about looking a certain way, it was about the power of being the center of attention and using that platform to evoke a reaction. The specific texture and visual power of latex inspired me because it requires a certain level of performance and confidence that standard fashion doesn’t always demand.

Was there a defining moment that made you realize modeling was your true passion?

The shift happened when I realized that a single frame of film could tell a story just as effectively as a three act play. Transitioning from the stage to the lens allowed me to treat every shoot like a focused performance. When I saw the impact of my first professional latex shoots and realized I could push creative boundaries - like incorporating mild bondage and romantic partner work - I knew this was my true calling.

What has been the most exciting or memorable shoot you’ve worked on?

One of the most intense photo -ops I have been involved with included working with another latex model. The concept was a romantic union - two models intertwined in a display of intimacy and connection. As we began, the energy between us became incredibly palpable and it became a defining moment for me in that it helped me realize how fine a line is between performance and reality. Once you fully commit to the narrative, you create something far more powerful than just a pretty picture- you create a moment that is truly electric.